Andy Warhol Movies

Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then...

One of two(?) 1964 screen tests of Linich. Runs 4 minutes, 24 seconds in length.

Andy Warhol film.

Instructed by Warhol to write a vehicle for Edie Sedgwick in a “completely white” setting, scenarist Ronald Tavel created one of...

Brooke Hayward is framed off-centre against a completely black background, with a single light source sharply angled onto her face from the right....

Screen Test of Edie Sedgwick and Kipp Stagg (aka Bima Stagg).

Gerard Malanga has been brightly lit from the front, and has tilted his head slightly backwards, which makes his neck bulge; he holds still...

Consists of images of the Andy Warhol show at the Whitney Museum in May of 1971. It also includes a George Maciunas dumpling party on 80 Wooster...

A look at the man behind the legend, capturing the real Andy Warhol, as an artist and as a person, as he travels through China, from Hong Kong's...

Documentary on the use of color and black and white in contemporary arts through nine artists. A “Cinéastes de notre temps”...

Peter Hujar, shot in close-up, has his face lit from both sides, which creates the usual symmetrical pattern of shadows down the centre of his face.

Billy Name screen test by Andy Warhol.

A young woman named Phoebe Russell, is filmed wearing beads and a flowered dress; she gazes slightly cross-eyed at the camera, looking pretty but...

Salvador Dalí is a 35-minute film directed by Andy Warhol. The film features surrealist artist Salvador Dalí visiting The Factory and...

Gerard Malanga on all fours nuzzles and kisses Mary Woronov's leather boots.

Robert Indiana with a few companions sitting, smiling, and smoking as life passes idly by.

Begins with a close-up of Lou Reed’s eye; the camera then zooms out to a slightly broader view of his face. Toward the end he glances briefly...

Nico, filmed with an unmoving camera, reads a magazine. She scratches her head, flips her hair, looks glumly at the camera, and then rolls the...

Susan Bottomly/International Velvet's screen test is dark as her piercing eyes stare into the camera, as Warhol plays with the lighting and zoom...

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated...